St Mary’s, Ickworth
Still enjoying the novelty of being within a day trip of each other following her move from south London to Hertford, I arranged to meet my friend Rachel at the National Trust’s Ickworth Park to play in the church there in the run-up to Christmas. There was an additional motive in this meeting: Rachel had recently confessed to me that she couldn’t bring herself to play the oboe in her local church, even though she’d been to sit there a few times and no one had ever come in. She felt it would be presumptuous, and that the oboe has the potential to offend more than the cello does. I tried to persuade her that if no one was there, there was no one to offend; and besides, if an instrument is played well, it never offends. More importantly, she would be doing the building a service by filling it with music. This wasn’t only my opinion, after having played in 437 Suffolk churches; it was also the opinion of most of the people I had spoken to along the way, whether religious, unreligious or anti-religious. But I couldn’t convince her with words alone, so I decided she needed breaking in gently, in Suffolk churches instead of Hertford ones. Perhaps after that, I thought, she might feel differently enough for me to accompany her to her local church with my cello.
St Mary’s, Trimley St Mary
My planned July concert at Trimley St Mary church – now the Two Sisters Arts Centre – was moved to September, with a limited live audience and a larger virtual one. I changed the programme and my co-conspirators: Rachel and Steve would join me on oboe and bassoon respectively. It needed to be easy to arrange and relatively pressure-free for all of us, and, most importantly, I wanted to be in the company of good friends. I needed to rediscover the joy of practising, rehearsing and performing even in the context of arm troubles and my accompanist’s, James’, absence.
12/8/20 After I got back from Wiltshire a few weeks ago, I made a list of things that might help me to keep up my spirits and think positively. The break had done me a huge amount of good, but I could already feel that it wouldn’t solve the problems of being at home again. I was going to have to work hard at maintaining the change in mindset I had experienced in those few days away. I had already identified one thing that would give me that sense of wellbeing and excitement about life which had been so lacking in recent weeks: to go looking for chalk streams in Norfolk. But at least a whole free day was required for that kind of adventure, and I needed things I could do every day, at home, even on busy days.
I looked back at the list yesterday. Even though I had already implemented many of the items, I had forgotten it was so long. As well as obvious things such as planning to see friends and getting out regularly, the list read as follows:
Sit in the boat on the pond
Swim in the rain
Walk at dusk
Write at the reservoir
Sleep in the garden
Make a campfire & seat area at the top of the garden by the moat
Get up early (walk/bike ride)
Go into the hedge/stream area beside the meadow
Go for a new walk twice a week
Seeing this list again, it is clearly all about new perspectives: seeing and doing familiar things in new ways, and taking advantage of novelty available close to home.
St Mary’s, Preston St Mary
I hadn’t been inside Preston church for perhaps five or six years. As I had become accustomed to in such instances, I could remember the general size and layout of the interior, but none of the details. As I approached the door, I could hear the organ, and feared once again that my 400th church plan for two days later would be thwarted. But I went inside anyway to find out how long the organist planned to stay.
I resumed my winter treasures this year thinking that there were only two or three subjects I had had to leave out in 2018. But as the month of February progresses, I find, again, that I am having difficulty deciding what to include. January brought aconites and snowdrops, and the start of February saw my first violet and periwinkle sightings as well as the first blackbird, thrush and skylark songs, all within 24 hours. The mild winter has brought out the blackthorn already, as well as daffodils and early-spring-flowering plums and cherries. The hawthorn in my roadside hedge is already sprouting, and weeping willows are starting to glow green-yellow. It is easy to trick oneself into thinking March is already underway, but I have no desire to wish away this most unloved month of February. Part of the pleasure is in knowing what lies around the corner, and savouring the hints of something not yet arrived. I wouldn’t want to lose a month of anticipation; nor would I want to lose a month of calm in which to continue my slow but steady and satisfying progress on long-neglected jobs.
So, instead, I am thinking back to December and January afternoons, and choosing a topic that applies to the whole of this season of low sun: the quality of light and shadow on a sunny day. It is glorious in the morning, but the afternoon brings a special orange glow. It is the kind of oblique light chased by artists and photographers, and not easily found in summer, except at sunrise and sunset.
St Peter’s, Baylham
It was another sunny day, and my destination was the road running between Needham Market and Ipswich: a prime location for churches I hadn’t yet visited. I didn’t know what to expect of Baylham; the only thing I knew of it was the Rare Breeds Farm, which was north of the village and on the other side of the railway, so not really in Baylham at all. The main road was as anonymous as I expected, but soon I came to a right turn signposted to the village. The church was up a hill, with stunning countryside views. There is little better than the quality of light on a sunny winter’s day, whether in the morning or the afternoon, and I stood gazing across the meadowed valley for a contented few moments before entering the church.
St Botolph’s, Culpho
After Grundisburgh, I drove down the road to Culpho. It was a pleasant change to find churches all within five minutes’ drive of each other, after my tour of north-west Suffolk before Christmas, which has the most spaced out parishes of the whole county. I have forgotten the reason for this, and haven’t managed to track down the information I once read about it. I also had to look up again the strange village name: apparently it is derived from Old English and means ‘Culf’s spur of land’ – from ‘hoh’, the same origin as the word ‘Hoo’, as in Sutton Hoo and Dallinghoo.
St Mary’s, Akenham
I was due at Akenham church, near Ipswich, to play at a cream tea and evensong on the first Sunday in August. Akenham was a Churches Conservation Trust church, and, I was informed, the evensong services in August are held there, the first of which was always preceded by a cream tea. I managed to rope in Steve to play duets with me during the cream tea; I felt solo Bach was suitable for the service but not for the jollities in the churchyard.
Getting there was an adventure. Despite being almost on the outskirts of Ipswich – only a mile from Whitton – it felt as though it was on a hill in the middle of nowhere. Along the lane before I came to the rough track leading to the church, I passed a tractor and baler that looked like two of the first mechanised pieces of farming equipment to appear in the countryside. They had an amusing charm about them, but looked somewhat impractical for the task in hand. Clearing a field of cut straw is a big job.
St Ethelbert’s, Herringswell
I had delayed visiting Cavenham, north of Bury St Edmunds, as I had spotted Cavenham Heath nearby on the map and wanted to combine my church visit with a walk there: it was a bit too far away to make a separate trip appealing. For nearly the first year of my church tour, having a cello with me made this impractical. This time, however, realising that Cavenham was in fact only fifteen minutes’ drive from my friend Penny’s house in Bury St Edmunds, and that I now had a cello case which I could happily carry on a walk with me, no further delay was necessary. An added benefit of stopping off at Penny’s house for a cup of tea was that she had a map of this small area of northwest Suffolk that I discovered was missing from my collection.
St Andrew’s, Boyton
The following morning I went back to where I had left off, on what Simon Knott – but no one else I have heard – calls the Bawdsey Pensinsula. Boyton was first. Driving around the little lanes of this sandy area of Suffolk is a pleasure: it feels truly rural. This makes sense, of course, as you would never be ‘passing’ on your way anywhere. There is nowhere to pass to. I met only tractors on my journey; thankfully no large ones or the roads would have struggled to accommodate us.