St James’, Bury St Edmunds
It was the autumn equinox, and in some ways felt like the end of the year: my recital in St Edmundsbury Cathedral was the culmination of a season’s concerts, and a season’s cello practice. It was the end of a busy summer of B&B guests, and a few days after the recital I would go on holiday.
I had performed the first and last pieces of the programme before; but the other two – by Debussy and Martinu – turned out to be harder than I anticipated. Not technically or in terms of stamina – unlike the programme I had chosen last year when I started my church tour – but mathematically. Learning the notes and how the music went was the easy part, relatively speaking. Putting the pieces together with piano was much, much harder.
5/6/18 Last night I went on Ipswich Community Radio to talk about my church project on Get Classical with FJ. You can hear the interview here: www.mixcloud.com/ICRfm/04-06-18-get-classical-with-fj/
The second year of my church project began as I hope it will continue: with cello, churches, chickens and a quite a few laughs.
While I was practising the cello at home, I suddenly had a flash of inspiration.
‘I’ve just come up with the most inspired excuse yet to get more chickens’, I texted my friend Jo.
You may be wondering what chickens have to do with cellos, or churches for that matter. The answer is quite a lot, if I have anything to do with it. But before I continue, a few pieces of background information may be required. The first is that my ‘creature maths’ is notorious for roughly observing the pattern of the Fibonacci sequence: if one chicken dies, no fewer than two new ones are needed to compensate for the loss. The second is that my friend Jo is the reason I started keeping chickens; third, she is a bishop; and fourth, she christened my three trousered and ridiculously fluffy-bottomed Brahma chickens Knicker, Bocker and Glory. (Photo right: foreground, a Glorious bottom; background left, white chicken with black tail: Bocker; background far right, grey chicken: Knicker)
My explanation to Jo continued: ‘I use the coins from my egg sales to leave donations in the churches I visit, and I keep running out of coins. I need a more constant supply of coins = I need a more constant supply of surplus eggs to sell = I need more chickens. How about that for good maths!’
16/4/2018 Richard Jeffries suggested the skylark should be considered a representative of winter: instead of cold and darkness, he thought, why not ‘a sign of hope, a certainty of summer?’ It was his essay that helped me to think of winter in a different way.
I half expected to include the skylark in my winter treasures; after all, I have heard skylarks sing over the fields around the Hobbets on many a clear, mild day in February. It just happens that I didn’t hear one until April this year. It is likely I simply wasn’t in the right place at the right time; but the longer wait and the circumstances of my first skylark song were part of what made it so special.
Today marked a significant change in my church-visiting journeys around Suffolk; a change which had been taking place almost imperceptibly over recent months, and had finally reached a turning point. I found myself able to listen to music again, for the first time in years.